Changing Song : : The Marxist Manifestos of Nakano Shigeharu / / Miriam Rom Silverberg.

• Superior document: Title is part of eBook package: De Gruyter Princeton University Press eBook-Package Archive 1927-1999
• VerfasserIn: Silverberg, Miriam Rom,
• Place / Publishing House: Princeton, NJ : : Princeton University Press, , [2019]; ©1990
• Year of Publication: 2019
• Language: English
• Series: Princeton Legacy Library ; 5284
• Physical Description: 1 online resource (272 p.)
• Other title: Frontmatter --; Contents --; Illustrations --; Acknowledgments --; INTRODUCTION. Reclaiming Nakano Shigeharu --; CHAPTER ONE: Fragments from a Life --; CHAPTER TWO: A World Split in Two --; CHAPTER THREE: Song I: The Discovery of History --; CHAPTER FOUR: Song II: The Reproduction of Taisho Culture --; CHAPTER FIVE: Song III: The Dialogue of Revolution --; CHAPTER SIX: Song IV: Closing Song --; CONCLUSION: Marxism Addresses the Modern --; Chronology --; Bibliography --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9780691194677; 9783110442496
• DOI: 10.1515/9780691194677?locatt=mode:legacy
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Miriam Rom Silverberg.

Nakano Sigeharu (1902-1979), leading twentieth-century Japanese poet and social critic, transformed the revolutionary culture movement of the 1920s. Positioning Nakano's thought within the very history of Japanese Marxism, Miriam Silverberg applies textual analyses to his pre-war writings to form a new perspective on the history of the politics and culture of the Japanese left.Her book relates Nakano to the Western Marxist tradition, recognizes the existence of a Japanese Marxist theory of commodity culture, and uses this theory to illuminate the era. In particular, Silverberg addresses how Nakano, like his European contemporaries, worked toward a critique of mass culture, illustrating how Japanese thinkers in the 1920s and 1930s adoped Marxism as the dominant method of political and intellectual inquiry.This book draws on Marx's writings and those of Georg Lukacs, Walter Benjamin, Antonio Gramsci, Bertolt Brecht, and Mikhail Bakhtin to present Nakano as a Marxist critic and poet. Close reading of Nakano's essays, poems (most of them appearing for the first time in English), fiction, and prison letters trace Nakano's "changing song" or consciousness through four stages--from his "discovery of history" in the mid-1920s to his refusal to be silenced during the late 1930s, when he produced a series of scthing attacks on intensifying state repression.Miriam Silverberg is Assistant Professor of History at the University of California, Los Angeles.Originally published in 1990.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.