Aaron Copland and His World / / Judith Tick, Carol J. Oja.
Aaron Copland and His World reassesses the legacy of one of America's best-loved composers at a pivotal moment--as his life and work shift from the realm of personal memory to that of history. This collection of seventeen essays by distinguished scholars of American music explores the stages of...
Wedi'i Gadw mewn:
TeilnehmendeR: | |
---|---|
Place / Publishing House: | Princeton, NJ : : Princeton University Press, , [2018] ©2005 |
Blwyddyn Gyhoeddi: | 2018 |
Iaith: | English |
Cyfres: | The Bard Music Festival ;
16 |
Mynediad Ar-lein: | |
Disgrifiad Corfforoll: | 1 online resource |
Tagiau: |
Ychwanegu Tag
Dim Tagiau, Byddwch y cyntaf i dagio'r cofnod hwn!
|
id |
9780691186153 |
---|---|
ctrlnum |
(DE-B1597)501882 (OCoLC)1076412341 |
collection |
bib_alma |
record_format |
marc |
spelling |
Aaron Copland and His World / Judith Tick, Carol J. Oja. Princeton, NJ : Princeton University Press, [2018] ©2005 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda The Bard Music Festival ; 16 Frontmatter -- Contents -- Acknowledgments -- Permissions -- Between Memory and History: An Introduction / Oja, Carol J. / Tick, Judith -- Part I Scanning A Life -- Copland and the Prophetic Voice / Pollack, Howard -- Founding Sons: Copland, Sessions, and Berger on Genealogy and Hybridity / Brody, Martin -- Part II Copland's Greater Cultural World -- "To Become as Human as Possible" / Anderson, Paul -- Copland and American Populism in the 1930S / Dickstein, Morris -- From the New York Avant-Garde to Mexican Modernists: Aaron Copland and the Visual Arts / Levin, Gail -- Making an American Dance / Garafola, Lynn -- Part III Copland's Inner Circle -- Dear Aaron, Dear Lenny: A Friendship in Letters / Perlis, Vivian -- Aaron Copland and Arthur Berger in Correspondence / Shirley, Wayne D. -- Part IV Analytic Perspectives -- War Drums, Tolling Bells, And Copland's Piano Sonata / Starr, Larry -- Copland's Gift to Be Simple Within the Cumulative Mosaic Complexities of His Ballets / Antokoletz, Elliott -- Part V Political Edges -- Copland and the Politics of Americanism / Crist, Elizabeth B. -- From Orient to Occident: Aaron Copland and the Sagas of the Prairie / Levy, Beth E. -- Aaron Copland, Norman Rockwell, and the "Four Freedoms" / Lerner, Neil -- Aaron Copland Meets the Soviet Composers / Abrams, Emily -- Part VI Copland and His Public -- Aaron Copland and the Composers' Forum-Laboratory / Graaf, Melissa De -- Copland on Television: An Annotated List of Interviews and Documentaries / Abrams, Emily -- Part VII Reconfiguring Copland's World -- Copland Reconfigured / Botstein, Leon -- Index -- Notes on the Contributors Aaron Copland and His World reassesses the legacy of one of America's best-loved composers at a pivotal moment--as his life and work shift from the realm of personal memory to that of history. This collection of seventeen essays by distinguished scholars of American music explores the stages of cultural change on which Copland's long life (1900 to 1990) unfolded: from the modernist experiments of the 1920s, through the progressive populism of the Great Depression and the urgencies of World War II, to postwar political backlash and the rise of serialism in the 1950s and the cultural turbulence of the 1960s. Continually responding to an ever-changing political and cultural panorama, Copland kept a firm focus on both his private muse and the public he served. No self-absorbed recluse, he was very much a public figure who devoted his career to building support systems to help composers function productively in America. This book critiques Copland's work in these shifting contexts. The topics include Copland's role in shaping an American school of modern dance; his relationship with Leonard Bernstein; his homosexuality, especially as influenced by the writings of André Gide; and explorations of cultural nationalism. Copland's rich correspondence with the composer and critic Arthur Berger, who helped set the parameters of Copland's reception, is published here in its entirety, edited by Wayne Shirley. The contributors include Emily Abrams, Paul Anderson, Elliott Antokoletz, Leon Botstein, Martin Brody, Elizabeth Crist, Morris Dickstein, Lynn Garafola, Melissa de Graaf, Neil Lerner, Gail Levin, Beth Levy, Vivian Perlis, Howard Pollack, and Larry Starr. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Mai 2019) Composers United States Biography. BIOGRAPHY & AUTOBIOGRAPHY / Composers & Musicians. bisacsh Oja, Carol J., editor. Tick, Judith, editor. https://doi.org/10.1515/9780691186153?locatt=mode:legacy Cover https://www.degruyter.com/cover/covers/9780691186153.jpg |
language |
English |
format |
eBook |
author2 |
Oja, Carol J., Tick, Judith, |
author_facet |
Oja, Carol J., Tick, Judith, |
author2_variant |
c j o cj cjo j t jt |
author2_role |
TeilnehmendeR TeilnehmendeR |
author_additional |
Oja, Carol J. / Tick, Judith -- Pollack, Howard -- Brody, Martin -- Anderson, Paul -- Dickstein, Morris -- Levin, Gail -- Garafola, Lynn -- Perlis, Vivian -- Shirley, Wayne D. -- Starr, Larry -- Antokoletz, Elliott -- Crist, Elizabeth B. -- Levy, Beth E. -- Lerner, Neil -- Abrams, Emily -- Graaf, Melissa De -- Botstein, Leon -- |
title |
Aaron Copland and His World / |
spellingShingle |
Aaron Copland and His World / The Bard Music Festival ; Frontmatter -- Contents -- Acknowledgments -- Permissions -- Between Memory and History: An Introduction / Part I Scanning A Life -- Copland and the Prophetic Voice / Founding Sons: Copland, Sessions, and Berger on Genealogy and Hybridity / Part II Copland's Greater Cultural World -- "To Become as Human as Possible" / Copland and American Populism in the 1930S / From the New York Avant-Garde to Mexican Modernists: Aaron Copland and the Visual Arts / Making an American Dance / Part III Copland's Inner Circle -- Dear Aaron, Dear Lenny: A Friendship in Letters / Aaron Copland and Arthur Berger in Correspondence / Part IV Analytic Perspectives -- War Drums, Tolling Bells, And Copland's Piano Sonata / Copland's Gift to Be Simple Within the Cumulative Mosaic Complexities of His Ballets / Part V Political Edges -- Copland and the Politics of Americanism / From Orient to Occident: Aaron Copland and the Sagas of the Prairie / Aaron Copland, Norman Rockwell, and the "Four Freedoms" / Aaron Copland Meets the Soviet Composers / Part VI Copland and His Public -- Aaron Copland and the Composers' Forum-Laboratory / Copland on Television: An Annotated List of Interviews and Documentaries / Part VII Reconfiguring Copland's World -- Copland Reconfigured / Index -- Notes on the Contributors |
title_full |
Aaron Copland and His World / Judith Tick, Carol J. Oja. |
title_fullStr |
Aaron Copland and His World / Judith Tick, Carol J. Oja. |
title_full_unstemmed |
Aaron Copland and His World / Judith Tick, Carol J. Oja. |
title_auth |
Aaron Copland and His World / |
title_alt |
Frontmatter -- Contents -- Acknowledgments -- Permissions -- Between Memory and History: An Introduction / Part I Scanning A Life -- Copland and the Prophetic Voice / Founding Sons: Copland, Sessions, and Berger on Genealogy and Hybridity / Part II Copland's Greater Cultural World -- "To Become as Human as Possible" / Copland and American Populism in the 1930S / From the New York Avant-Garde to Mexican Modernists: Aaron Copland and the Visual Arts / Making an American Dance / Part III Copland's Inner Circle -- Dear Aaron, Dear Lenny: A Friendship in Letters / Aaron Copland and Arthur Berger in Correspondence / Part IV Analytic Perspectives -- War Drums, Tolling Bells, And Copland's Piano Sonata / Copland's Gift to Be Simple Within the Cumulative Mosaic Complexities of His Ballets / Part V Political Edges -- Copland and the Politics of Americanism / From Orient to Occident: Aaron Copland and the Sagas of the Prairie / Aaron Copland, Norman Rockwell, and the "Four Freedoms" / Aaron Copland Meets the Soviet Composers / Part VI Copland and His Public -- Aaron Copland and the Composers' Forum-Laboratory / Copland on Television: An Annotated List of Interviews and Documentaries / Part VII Reconfiguring Copland's World -- Copland Reconfigured / Index -- Notes on the Contributors |
title_new |
Aaron Copland and His World / |
title_sort |
aaron copland and his world / |
series |
The Bard Music Festival ; |
series2 |
The Bard Music Festival ; |
publisher |
Princeton University Press, |
publishDate |
2018 |
physical |
1 online resource |
contents |
Frontmatter -- Contents -- Acknowledgments -- Permissions -- Between Memory and History: An Introduction / Part I Scanning A Life -- Copland and the Prophetic Voice / Founding Sons: Copland, Sessions, and Berger on Genealogy and Hybridity / Part II Copland's Greater Cultural World -- "To Become as Human as Possible" / Copland and American Populism in the 1930S / From the New York Avant-Garde to Mexican Modernists: Aaron Copland and the Visual Arts / Making an American Dance / Part III Copland's Inner Circle -- Dear Aaron, Dear Lenny: A Friendship in Letters / Aaron Copland and Arthur Berger in Correspondence / Part IV Analytic Perspectives -- War Drums, Tolling Bells, And Copland's Piano Sonata / Copland's Gift to Be Simple Within the Cumulative Mosaic Complexities of His Ballets / Part V Political Edges -- Copland and the Politics of Americanism / From Orient to Occident: Aaron Copland and the Sagas of the Prairie / Aaron Copland, Norman Rockwell, and the "Four Freedoms" / Aaron Copland Meets the Soviet Composers / Part VI Copland and His Public -- Aaron Copland and the Composers' Forum-Laboratory / Copland on Television: An Annotated List of Interviews and Documentaries / Part VII Reconfiguring Copland's World -- Copland Reconfigured / Index -- Notes on the Contributors |
isbn |
9780691186153 |
callnumber-first |
M - Music |
callnumber-subject |
ML - Literature on Music |
callnumber-label |
ML410 |
callnumber-sort |
ML 3410 C756 |
genre_facet |
Biography. |
geographic_facet |
United States |
url |
https://doi.org/10.1515/9780691186153?locatt=mode:legacy https://www.degruyter.com/cover/covers/9780691186153.jpg |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
780 - Music |
dewey-ones |
780 - Music |
dewey-full |
780.92 |
dewey-sort |
3780.92 |
dewey-raw |
780.92 |
dewey-search |
780.92 |
doi_str_mv |
10.1515/9780691186153?locatt=mode:legacy |
oclc_num |
1076412341 |
work_keys_str_mv |
AT ojacarolj aaroncoplandandhisworld AT tickjudith aaroncoplandandhisworld |
status_str |
n |
ids_txt_mv |
(DE-B1597)501882 (OCoLC)1076412341 |
carrierType_str_mv |
cr |
is_hierarchy_title |
Aaron Copland and His World / |
author2_original_writing_str_mv |
noLinkedField noLinkedField |
_version_ |
1770176300338642944 |
fullrecord |
<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>05604nam a22007455i 4500</leader><controlfield tag="001">9780691186153</controlfield><controlfield tag="003">DE-B1597</controlfield><controlfield tag="005">20190523123322.0</controlfield><controlfield tag="006">m|||||o||d||||||||</controlfield><controlfield tag="007">cr || ||||||||</controlfield><controlfield tag="008">190523s2018 nju fo d z eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780691186153</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9780691186153</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-B1597)501882</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1076412341</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-B1597</subfield><subfield code="b">eng</subfield><subfield code="c">DE-B1597</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">nju</subfield><subfield code="c">US-NJ</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">ML410.C756</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">BIO004000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">MUS020000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="0" ind2="4"><subfield code="a">780.92</subfield><subfield code="2">22</subfield></datafield><datafield tag="245" ind1="0" ind2="0"><subfield code="a">Aaron Copland and His World /</subfield><subfield code="c">Judith Tick, Carol J. Oja.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Princeton, NJ : </subfield><subfield code="b">Princeton University Press, </subfield><subfield code="c">[2018]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2005</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">text file</subfield><subfield code="b">PDF</subfield><subfield code="2">rda</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">The Bard Music Festival ;</subfield><subfield code="v">16</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Frontmatter -- </subfield><subfield code="t">Contents -- </subfield><subfield code="t">Acknowledgments -- </subfield><subfield code="t">Permissions -- </subfield><subfield code="t">Between Memory and History: An Introduction / </subfield><subfield code="r">Oja, Carol J. / Tick, Judith -- </subfield><subfield code="t">Part I Scanning A Life -- </subfield><subfield code="t">Copland and the Prophetic Voice / </subfield><subfield code="r">Pollack, Howard -- </subfield><subfield code="t">Founding Sons: Copland, Sessions, and Berger on Genealogy and Hybridity / </subfield><subfield code="r">Brody, Martin -- </subfield><subfield code="t">Part II Copland's Greater Cultural World -- </subfield><subfield code="t">"To Become as Human as Possible" / </subfield><subfield code="r">Anderson, Paul -- </subfield><subfield code="t">Copland and American Populism in the 1930S / </subfield><subfield code="r">Dickstein, Morris -- </subfield><subfield code="t">From the New York Avant-Garde to Mexican Modernists: Aaron Copland and the Visual Arts / </subfield><subfield code="r">Levin, Gail -- </subfield><subfield code="t">Making an American Dance / </subfield><subfield code="r">Garafola, Lynn -- </subfield><subfield code="t">Part III Copland's Inner Circle -- </subfield><subfield code="t">Dear Aaron, Dear Lenny: A Friendship in Letters / </subfield><subfield code="r">Perlis, Vivian -- </subfield><subfield code="t">Aaron Copland and Arthur Berger in Correspondence / </subfield><subfield code="r">Shirley, Wayne D. -- </subfield><subfield code="t">Part IV Analytic Perspectives -- </subfield><subfield code="t">War Drums, Tolling Bells, And Copland's Piano Sonata / </subfield><subfield code="r">Starr, Larry -- </subfield><subfield code="t">Copland's Gift to Be Simple Within the Cumulative Mosaic Complexities of His Ballets / </subfield><subfield code="r">Antokoletz, Elliott -- </subfield><subfield code="t">Part V Political Edges -- </subfield><subfield code="t">Copland and the Politics of Americanism / </subfield><subfield code="r">Crist, Elizabeth B. -- </subfield><subfield code="t">From Orient to Occident: Aaron Copland and the Sagas of the Prairie / </subfield><subfield code="r">Levy, Beth E. -- </subfield><subfield code="t">Aaron Copland, Norman Rockwell, and the "Four Freedoms" / </subfield><subfield code="r">Lerner, Neil -- </subfield><subfield code="t">Aaron Copland Meets the Soviet Composers / </subfield><subfield code="r">Abrams, Emily -- </subfield><subfield code="t">Part VI Copland and His Public -- </subfield><subfield code="t">Aaron Copland and the Composers' Forum-Laboratory / </subfield><subfield code="r">Graaf, Melissa De -- </subfield><subfield code="t">Copland on Television: An Annotated List of Interviews and Documentaries / </subfield><subfield code="r">Abrams, Emily -- </subfield><subfield code="t">Part VII Reconfiguring Copland's World -- </subfield><subfield code="t">Copland Reconfigured / </subfield><subfield code="r">Botstein, Leon -- </subfield><subfield code="t">Index -- </subfield><subfield code="t">Notes on the Contributors</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Aaron Copland and His World reassesses the legacy of one of America's best-loved composers at a pivotal moment--as his life and work shift from the realm of personal memory to that of history. This collection of seventeen essays by distinguished scholars of American music explores the stages of cultural change on which Copland's long life (1900 to 1990) unfolded: from the modernist experiments of the 1920s, through the progressive populism of the Great Depression and the urgencies of World War II, to postwar political backlash and the rise of serialism in the 1950s and the cultural turbulence of the 1960s. Continually responding to an ever-changing political and cultural panorama, Copland kept a firm focus on both his private muse and the public he served. No self-absorbed recluse, he was very much a public figure who devoted his career to building support systems to help composers function productively in America. This book critiques Copland's work in these shifting contexts. The topics include Copland's role in shaping an American school of modern dance; his relationship with Leonard Bernstein; his homosexuality, especially as influenced by the writings of André Gide; and explorations of cultural nationalism. Copland's rich correspondence with the composer and critic Arthur Berger, who helped set the parameters of Copland's reception, is published here in its entirety, edited by Wayne Shirley. The contributors include Emily Abrams, Paul Anderson, Elliott Antokoletz, Leon Botstein, Martin Brody, Elizabeth Crist, Morris Dickstein, Lynn Garafola, Melissa de Graaf, Neil Lerner, Gail Levin, Beth Levy, Vivian Perlis, Howard Pollack, and Larry Starr.</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Mai 2019)</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Composers</subfield><subfield code="z">United States</subfield><subfield code="v">Biography.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">BIOGRAPHY & AUTOBIOGRAPHY / Composers & Musicians.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Oja, Carol J., </subfield><subfield code="e">editor.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Tick, Judith, </subfield><subfield code="e">editor.</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/9780691186153?locatt=mode:legacy</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="3">Cover</subfield><subfield code="u">https://www.degruyter.com/cover/covers/9780691186153.jpg</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_BACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_CL_AD</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ECL_AD</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EEBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ESSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ESTMALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_PPALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_SSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_STMALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV-deGruyter-alles</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA11SSHE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA13ENGE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA14ALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA16SSH</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA17SSHEE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA1ALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA2</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA2HUM</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA5EBK</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA7ENG</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA9PRIN</subfield></datafield></record></collection> |