Literary Bondage : : Slavery in Cuban Narrative / / William Luis.

• Superior document: Title is part of eBook package: De Gruyter University of Texas Press Complete eBook-Package Pre-2000
• VerfasserIn: Luis, William,
• Place / Publishing House: Austin : : University of Texas Press, , [2021]; ©1990
• Year of Publication: 2021
• Language: English
• Series: Texas Pan American Series
• Physical Description: 1 online resource (326 p.)
• Other title: Frontmatter --; CONTENTS --; PREFACE --; INTRODUCTION. Fiction and Fact: The Antislavery Narrative and Blacks as Counter-Discourse in Cuban History --; ONE. The Antislavery Narrative: Writing and the European Aesthetic --; TWO. Textual Multiplications Juan Francisco Manzano's Autobiografia and Cirilo Villaverde's Cecilia Valdes --; THREE. Time in Fiction Francisco Calcagno's Rornualdo, uno de tantos and Aponte and Martin Morua Delgado's Sofia and La familia Unzuazu --; FOUR. Historical Fictions Displacement and Change—Lino Novas Calvo's El negrero and Alejo Carpentier's The Kingdom of This --; FIVE. I The Politics of Memory Miguel Barnet's The Autobiography of a Runaway Slave and Cesar Leante's Los guerrilleros negro --; SIX. Present and Future Antislavery Narratives Reinaldo Arenas's Graveyard of the Angels --; NOTES --; BIBLIOGRAPHY --; INDEX
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9780292763807; 9783110745351
• DOI: 10.7560/724631
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: William Luis.

In the nineteenth century, the Cuban economy rested on the twin pillars of sugar and slaves. Slavery was abolished in 1886, but, one hundred years later, Cuban authors were still writing antislavery narratives. William Luis explores this seeming paradox in his groundbreaking study Literary Bondage, asking why this literary genre has remained a viable means of expression. Applying Foucault's theory of counter-discourse to a vast body of antislavery literature, Luis shows how these narratives have always served to undermine the foundations of slavery, to protest the marginalized status of blacks in Cuban society, and to rewrite the canon of "acceptable" history and literature. He finds that emancipation did not end the need for such counter-discourse and reveals how the antislavery narrative continues to provide a forum for voices that have been silenced by the dominant culture. In addition to such well-known works as Cecilia Valdés, The Kingdom of This World, and The Autobiography of a Runaway Slave, Luis draws on many literary works outside the familiar canon, including Romualdo, uno de tantos, Aponte, Sofía La familia Unzúazu, El negrero, and Los guerrilleros negros. This comprehensive coverage raises important questions about the process of canon-formation and brings to light Cuba's rich heritage of Afro-Latin literature and culture.