All About Process : : The Theory and Discourse of Modern Artistic Labor / / Kim Grant.

• Superior document: Title is part of eBook package: De Gruyter Penn State University Press Complete eBook-Package 2017
• VerfasserIn: Grant, Kim,
• Place / Publishing House: University Park, PA : : Penn State University Press, , [2017]; ©2017
• Year of Publication: 2017
• Language: English
• Physical Description: 1 online resource (296 p.)
• Other title: Frontmatter --; Contents --; Introduction: Process as Value --; 1 Conceptualizing the Artist’s Labor Prior to the Nineteenth Century --; 2 Art, Craft, and Industrialization --; 3 The Artist’s Process from the Academic to the Modern --; 4 New Conceptions of the Artist’s Process --; 5 The Artist’s Process as a Means of Self- Realization --; 6 The Artist’s Process at Mid- Century --; 7 Art and Social Processes --; 8 Process Art --; 9 It’s All About the Process --; Notes --; Bibliography --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9780271079493; 9783110745238
• DOI: 10.1515/9780271079493?locatt=mode:legacy
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Kim Grant.

In recent years, many prominent and successful artists have claimed that their primary concern is not the artwork they produce but the artistic process itself. In this volume, Kim Grant analyzes this idea and traces its historical roots, showing how changing concepts of artistic process have played a dominant role in the development of modern and contemporary art.This astute account of the ways in which process has been understood and addressed examines canonical artists such as Monet, Cézanne, Matisse, and De Kooning, as well as philosophers and art theorists such as Henri Focillon, R. G. Collingwood, and John Dewey. Placing “process art” within a larger historical context, Grant looks at the changing relations of the artist’s labor to traditional craftsmanship and industrial production, the status of art as a commodity, the increasing importance of the body and materiality in art making, and the nature and significance of the artist’s role in modern society. In doing so, she shows how process is an intrinsic part of aesthetic theory that connects to important contemporary debates about work, craft, and labor.Comprehensive and insightful, this synthetic study of process in modern and contemporary art reveals how artists’ explicit engagement with the concept fits into a broader narrative of the significance of art in the industrial and postindustrial world.