The Racial Unfamiliar : : Illegibility in Black Literature and Culture / / John Brooks.

• Superior document: Title is part of eBook package: De Gruyter Columbia University Press Complete eBook-Package 2022
• VerfasserIn: Brooks, John,
• Place / Publishing House: New York, NY : : Columbia University Press, , [2022]; ©2022
• Year of Publication: 2022
• Language: English
• Series: Literature Now
• Physical Description: 1 online resource
• Other title: Frontmatter --; CONTENTS --; ACKNOWLEDGMENTS --; Introduction ENCOUNTERING ILLEGIBILITY The Enactment of Critical Blackness --; PART I Vision --; Chapter One PICTURING BLACKNESS IN THE PHOTOGRAPHY OF ROY DECARAVA --; Chapter Two A MUSE FOR BLACKNESS Kara Walker’s “Outlaw Rebel” Vision --; PART II Genre --; Chapter Three ANTIESSENTIALIST FORM The Bebop Effect of Percival Everett’s Erasure --; Chapter Four BEYOND SATIRE The Humor of Incongruity in Paul Beatty’s The Sellout --; PART III History --; Chapter Five THE POLITICS OF INERTIA Temporal Distortion in Suzan-Lori Parks’s 100 Plays for the First Hundred Days --; Chapter Six HERETICAL POETICS IN ROBIN COSTE LEWIS’S THE VOYAGE OF THE SABLE VENUS --; AFTERWORD Circulating Critical Blackness --; NOTES --; BIBLIOGRAPHY --; INDEX
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9780231555807; 9783110749663; 9783110993899; 9783110994810; 9783110993752; 9783110993738
• DOI: 10.7312/broo20502
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: John Brooks.

The works of African American authors and artists are too often interpreted through the lens of authenticity. They are scrutinized for “positive” or “negative” representations of Black people and Black culture or are assumed to communicate some truth about Black identity or the “Black experience.” However, many contemporary Black artists are creating works that cannot be slotted into such categories. Their art resists interpretation in terms of conventional racial discourse; instead, they embrace opacity, uncertainty, and illegibility.John Brooks examines a range of abstractionist, experimental, and genre-defying works by Black writers and artists that challenge how audiences perceive and imagine race. He argues that literature and visual art that exceed the confines of familiar conceptions of Black identity can upend received ideas about race and difference. Considering photography by Roy DeCarava, installation art by Kara Walker, novels by Percival Everett and Paul Beatty, drama by Suzan-Lori Parks, and poetry by Robin Coste Lewis, Brooks pinpoints a shared aesthetic sensibility. In their works, the devices that typically make race feel familiar are instead used to estrange cultural assumptions about race. Brooks contends that when artists confound expectations about racial representation, the resulting disorientation reveals the incoherence of racial ideologies. By showing how contemporary literature and art ask audiences to question what they think they know about race, The Racial Unfamiliar offers a new way to understand African American cultural production.