The Substance of Fiction : : Literary Objects in China, 1550–1775 / / Sophie Volpp.

• Superior document: Title is part of eBook package: De Gruyter Columbia University Press Complete eBook-Package 2022
• VerfasserIn: Volpp, Sophie,
• Place / Publishing House: New York, NY : : Columbia University Press, , [2022]; ©2022
• Year of Publication: 2022
• Language: English
• Series: Premodern East Asia: New Horizons
• Physical Description: 1 online resource :; 23 b&w figures
• Other title: Frontmatter --; Contents --; Acknowledgments --; Introduction. The Substance of Fiction --; CHAPTER ONE. The Python Robe of The Plum in the Golden Vase --; CHAPTER TWO. Ling Mengchu’s Shell --; CHAPTER THREE. Du Shiniang’s Jewel Box --; CHAPTER FOUR. Li Yu’s Telescope --; CHAPTER FIVE. The Plate-Glass Mirror in The Story of the Stone --; CHAPTER SIX. Historicizing Recession via The Story of the Stone and the Juanqinzhai --; Conclusion. Literary Objects --; Notes --; Bibliography --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9780231553223; 9783110749663; 9783110993899; 9783110994810; 9783110993752; 9783110993738
• DOI: 10.7312/volp19964
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Sophie Volpp.

Do the portrayals of objects in literary texts represent historical evidence about the material culture of the past? Or are things in books more than things in the world? Sophie Volpp considers fictional objects of the late Ming and Qing that defy being read as illustrative of historical things. Instead, she argues, fictional objects are often signs of fictionality themselves, calling attention to the nature of the relationship between literature and materiality.Volpp examines a series of objects—a robe, a box and a shell, a telescope, a plate-glass mirror, and a painting—drawn from the canonical works frequently mined for information about late imperial material culture, including the novels The Plum in the Golden Vase and The Story of the Stone as well as the short fiction of Feng Menglong, Ling Mengchu, and Li Yu. She argues that although fictional objects invite readers to think of them as illustrative, in fact, inconsistent and discontinuous representation disconnects the literary object from potential historical analogues. The historical resonances of literary objects illuminate the rhetorical strategies of individual works of fiction and, more broadly, conceptions of fictionality in the Ming and Qing. Rather than offering a transparent lens on the past, fictional objects train the reader to be aware of the fallibility of perception. A deeply insightful analysis of late Ming and Qing texts and reading practices, The Substance of Fiction has important implications for Chinese literary studies, history, and art history, as well as the material turn in the humanities.