Free Indirect : : The Novel in a Postfictional Age / / Timothy Bewes.

• Superior document: Title is part of eBook package: De Gruyter Columbia University Press Complete eBook-Package 2022
• VerfasserIn: Bewes, Timothy,
• MitwirkendeR: Sebald, W. G.,
• Place / Publishing House: New York, NY : : Columbia University Press, , [2022]; ©2022
• Year of Publication: 2022
• Language: English
• Series: Literature Now
• Physical Description: 1 online resource
• Other title: Frontmatter --; Contents --; Acknowledgments --; Abbreviations --; Introduction. Unthinking Connections --; Part I. The Novel Form and Its Limits --; Chapter One. The Problem of Form --; Chapter Two. Against Exemplarity --; Part II. The Emergence of Postfictional Aesthetics --; Chapter Three. The Instantiation Relation --; Chapter Four. The Postfictional Hypothesis --; Chapter Five. The Logic of Disconnection --; Interlude. Fictional Discourse as Event: On Jesse Ball --; PART III. The Free Indirect --; Chapter Six. How Does Immanence Show Itself? --; Chapter Seven. What Is a Sensorimotor Break? Deleuze on Cinema --; Interlude. Profiling --; Chapter Eight. Rancière: Toward Nonregime Thinking --; Conclusion. The Indeterminate Thought of the Free Indirect --; Notes --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9780231549479; 9783110749663; 9783110993899; 9783110994810; 9783110993752; 9783110993738
• DOI: 10.7312/bewe19160
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Timothy Bewes.

Everywhere today, we are urged to “connect.” Literary critics celebrate a new “honesty” in contemporary fiction or call for a return to “realism.” Yet such rhetoric is strikingly reminiscent of earlier theorizations. Two of the most famous injunctions of twentieth-century writing—E. M. Forster’s “Only connect . . .” and Fredric Jameson’s “Always historicize!”—helped establish connection as the purpose of the novel and its reconstruction as the task of criticism. But what if connection was not the novel’s modus operandi but the defining aesthetic ideology of our era—and its most monetizable commodity? What kind of thought is left for the novel when all ideas are acceptable as long as they can be fitted to a consumer profile?This book develops a new theory of the novel for the twenty-first century. In the works of writers such as J. M. Coetzee, Rachel Cusk, James Kelman, W. G. Sebald, and Zadie Smith, Timothy Bewes identifies a mode of thought that he calls “free indirect,” in which the novel’s refusal of prevailing ideologies can be found. It is not situated in a character or a narrator and does not take a subjective or perceptual form. Far from heralding the arrival of a new literary genre, this development represents the rediscovery of a quality that has been largely ignored by theorists: thought at the limits of form. Free Indirect contends that this self-awakening of contemporary fiction represents the most promising solution to the problem of thought today.