Art, Agency and Living Presence : : From the Animated Image to the Excessive Object / / Caroline van Eck.

Das Kunstwerk als lebendiges Wesen – eine grundlegende Studie

محفوظ في:
التفاصيل البيبلوغرافية
Superior document:Title is part of eBook package: De Gruyter DG Plus DeG Package 2015 Part 1
VerfasserIn:
Place / Publishing House:Berlin ;, Boston : : De Gruyter (A), , [2015]
©2015
سنة النشر:2015
اللغة:English
سلاسل:Studien aus dem Warburg-Haus , 16
الوصول للمادة أونلاين:
وصف مادي:1 online resource (274 p.)
الوسوم: إضافة وسم
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الوصف
Other title:Frontmatter --
Contents --
Acknowledgements --
Introduction --
Part One --
Enargeia --
Agency --
Memory --
Part Two --
Idolatry --
Fetishism --
Aesthetic Ambivalence --
Part Three --
Farming, Staging and Acting Living Presence --
The Afterlife of Art --
Epilogue: From the Animated Image to the Excessive Object --
Notes --
Bibliography --
List of Illustrations --
Index --
Backmatter
الملخص:Das Kunstwerk als lebendiges Wesen – eine grundlegende Studie
Throughout history, and all over the world, viewers have treated works of art as if they are living beings: speaking to them, falling in love with them, kissing or beating them. Although over the past 20 years the catalogue of individual cases of such behavior towards art has increased immensely, there are few attempts at formulating a theoretical account of them, or writing the history of how such responses were considered, defined or understood. That is what this book sets out to do: to reconstruct some crucial chapters in the history of thought about such reflections in Western Europe, and to offer some building blocks towards a theoretical account of such responses, drawing on the work of Aby Warburg and Alfred Gell.
التنسيق:Mode of access: Internet via World Wide Web.
ردمك:9783110345568
9783110762518
9783110700985
9783110438642
9783110439687
تدمد:2192-0079 ;
DOI:10.1515/9783110345568
وصول:restricted access
Hierarchical level:Monograph
Statement of Responsibility: Caroline van Eck.