Classical Polyphony / / P. Samuel Rubio.
The name of P. Samuel Rubio is known to students of Renaissance polyphony for his scholarly articles in learned periodicals, his editorship of different collections of sacred polyphony, and through his edition of the motets of Victory -- Tomás Luis de Victoria, Motetes, Vols. 1-4 (union Musical Espa...
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| Superior document: | Title is part of eBook package: De Gruyter University of Toronto Press eBook-Package Archive 1933-1999 |
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| Place / Publishing House: | Toronto : : University of Toronto Press, , [2019] ©1972 |
| 出版年: | 2019 |
| 語言: | English |
| 叢編: | Heritage
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| 實物描述: | 1 online resource (212 p.) |
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書本目錄:
- Frontmatter
- Contents
- Plates
- Author's Foreword
- Translator's Foreword and Acknowledgements
- Publisher's Note
- Part I. Paleography
- 1. Various Conventions and Signs used in Writing
- 2. The Notation of Polyphony
- 3. Note-Values in Relation to the Bar
- 4. The Number of Notes in Each Bar and in Each of its Parts
- 5. The Proportions
- 6. Modality
- 7. The Semitonia
- 8. The Semitonia in Cadences
- 9. Use of the Semitonia apart from Cadences
- 10. Chromatic Progression
- 11. The Underlaying of Text
- Part II. Musical Forms of Classical Polyphony
- 12. The General Theory of Musical Forms
- 13. The Themes
- 14. Organization of the Complete Polyphonic Fabric
- 15. The Set Musical Forms of Polyphony
- Appendix: Observations Concerning the Interpretation of Polyphony
- Notes
- Bibliography
- I. Index of Technical Terms
- II. Index of Music References
- III. Index of Names