The Insistence of Art : Aesthetic Philosophy after Early Modernity / / edited by Paul A. Kottman.

Philosophers working on aesthetics have paid considerable attention to art and artists of the early modern period. Yet early modern artistic practices scarcely figure in recent work on the emergence of aesthetics as a branch of philosophy over the course the eighteenth century. This book addresses t...

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Place / Publishing House:New York, NY : : Fordham University Press,, 2017.
©2017.
Year of Publication:2016
2017
Edition:First edition.
Language:English
Physical Description:1 online resource (226 pages)
Notes:Includes index.
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spelling Kottman, Paul A. auth
The Insistence of Art Aesthetic Philosophy after Early Modernity / edited by Paul A. Kottman.
First edition.
NY Fordham University Press 2016
New York, NY : Fordham University Press, 2017.
©2017.
1 online resource (226 pages)
text rdacontent
computer rdamedia
online resource rdacarrier
Includes index.
Philosophers working on aesthetics have paid considerable attention to art and artists of the early modern period. Yet early modern artistic practices scarcely figure in recent work on the emergence of aesthetics as a branch of philosophy over the course the eighteenth century. This book addresses that gap, elaborating the extent to which artworks and practices of the fifteenth through the eighteenth centuries were accompanied by an immense range of discussions about the arts and their relation to one another. Rather than take art as a stand-in for or reflection of some other historical event or social phenomenon, this book treats art as a phenomenon in itself. The contributors suggest ways in which artworks and practices of the early modern period make aesthetic experience central to philosophical reflection, while also showing art’s need for philosophy.
In English.
Front matter -- Contents -- Introduction. The Claim of Art: Aesthetic Philosophy and Early Modern Artistry -- Chapter 1. Allegory, Poetic Theology, and Enlightenment Aesthetics -- Chapter 2. Object Lessons: Reification and Renaissance Epitaphic Poetry -- Chapter 3. How Do We Recognize Metaphysical Poetry? -- Chapter 4. Literature, Prejudice, Historicity: The Philosophical Importance of Herder’s Shakespeare Studies -- Chapter 5. Reaching Conclusions: Art and Philosophy in Hegel and Shakespeare -- Chapter 6. “All Art Constantly Aspires to the Condition of Music”—Except the Art of Music: Reviewing the Contest of the Sister Arts -- Chapter 7. The Beauty of Architecture at the End of the Seventeenth Century in Paris, Greece, and Rome -- Chapter 8. Strokes of Wit: Theorizing Beauty in Baroque Italy -- Chapter 9. Goya: Secularization and the Aesthetics of Belief -- Chapter 10. Remembering Isaac: On the Impossibility and Immorality of Faith -- Contributors -- Index
Includes bibliographical references and index.
Description based on print version record.
CC BY-NC-ND
Knowledge Unlatched
Unrestricted online access star
Art Philosophy.
Aesthetics, Modern.
Electronic books.
Kottman, Paul A., 1970- editor.
9780823275731
0823275736
language English
format eBook
author Kottman, Paul A.
spellingShingle Kottman, Paul A.
The Insistence of Art Aesthetic Philosophy after Early Modernity /
Front matter --
Contents --
Introduction. The Claim of Art: Aesthetic Philosophy and Early Modern Artistry --
Chapter 1. Allegory, Poetic Theology, and Enlightenment Aesthetics --
Chapter 2. Object Lessons: Reification and Renaissance Epitaphic Poetry --
Chapter 3. How Do We Recognize Metaphysical Poetry? --
Chapter 4. Literature, Prejudice, Historicity: The Philosophical Importance of Herder’s Shakespeare Studies --
Chapter 5. Reaching Conclusions: Art and Philosophy in Hegel and Shakespeare --
Chapter 6. “All Art Constantly Aspires to the Condition of Music”—Except the Art of Music: Reviewing the Contest of the Sister Arts --
Chapter 7. The Beauty of Architecture at the End of the Seventeenth Century in Paris, Greece, and Rome --
Chapter 8. Strokes of Wit: Theorizing Beauty in Baroque Italy --
Chapter 9. Goya: Secularization and the Aesthetics of Belief --
Chapter 10. Remembering Isaac: On the Impossibility and Immorality of Faith --
Contributors --
Index
author_facet Kottman, Paul A.
Kottman, Paul A., 1970-
author_variant p a k pa pak
author2 Kottman, Paul A., 1970-
author2_variant p a k pa pak
author2_role TeilnehmendeR
author_sort Kottman, Paul A.
title The Insistence of Art Aesthetic Philosophy after Early Modernity /
title_sub Aesthetic Philosophy after Early Modernity /
title_full The Insistence of Art Aesthetic Philosophy after Early Modernity / edited by Paul A. Kottman.
title_fullStr The Insistence of Art Aesthetic Philosophy after Early Modernity / edited by Paul A. Kottman.
title_full_unstemmed The Insistence of Art Aesthetic Philosophy after Early Modernity / edited by Paul A. Kottman.
title_auth The Insistence of Art Aesthetic Philosophy after Early Modernity /
title_alt Front matter --
Contents --
Introduction. The Claim of Art: Aesthetic Philosophy and Early Modern Artistry --
Chapter 1. Allegory, Poetic Theology, and Enlightenment Aesthetics --
Chapter 2. Object Lessons: Reification and Renaissance Epitaphic Poetry --
Chapter 3. How Do We Recognize Metaphysical Poetry? --
Chapter 4. Literature, Prejudice, Historicity: The Philosophical Importance of Herder’s Shakespeare Studies --
Chapter 5. Reaching Conclusions: Art and Philosophy in Hegel and Shakespeare --
Chapter 6. “All Art Constantly Aspires to the Condition of Music”—Except the Art of Music: Reviewing the Contest of the Sister Arts --
Chapter 7. The Beauty of Architecture at the End of the Seventeenth Century in Paris, Greece, and Rome --
Chapter 8. Strokes of Wit: Theorizing Beauty in Baroque Italy --
Chapter 9. Goya: Secularization and the Aesthetics of Belief --
Chapter 10. Remembering Isaac: On the Impossibility and Immorality of Faith --
Contributors --
Index
title_new The Insistence of Art
title_sort the insistence of art aesthetic philosophy after early modernity /
publisher Fordham University Press
Fordham University Press,
publishDate 2016
2017
physical 1 online resource (226 pages)
edition First edition.
contents Front matter --
Contents --
Introduction. The Claim of Art: Aesthetic Philosophy and Early Modern Artistry --
Chapter 1. Allegory, Poetic Theology, and Enlightenment Aesthetics --
Chapter 2. Object Lessons: Reification and Renaissance Epitaphic Poetry --
Chapter 3. How Do We Recognize Metaphysical Poetry? --
Chapter 4. Literature, Prejudice, Historicity: The Philosophical Importance of Herder’s Shakespeare Studies --
Chapter 5. Reaching Conclusions: Art and Philosophy in Hegel and Shakespeare --
Chapter 6. “All Art Constantly Aspires to the Condition of Music”—Except the Art of Music: Reviewing the Contest of the Sister Arts --
Chapter 7. The Beauty of Architecture at the End of the Seventeenth Century in Paris, Greece, and Rome --
Chapter 8. Strokes of Wit: Theorizing Beauty in Baroque Italy --
Chapter 9. Goya: Secularization and the Aesthetics of Belief --
Chapter 10. Remembering Isaac: On the Impossibility and Immorality of Faith --
Contributors --
Index
isbn 9780823275823
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callnumber-first B - Philosophy, Psychology, Religion
callnumber-subject BJ - Ethics
callnumber-label BJ301
callnumber-sort BJ 3301 I57 42017
genre Electronic books.
genre_facet Electronic books.
illustrated Not Illustrated
dewey-hundreds 100 - Philosophy & psychology
dewey-tens 110 - Metaphysics
dewey-ones 111 - Ontology
dewey-full 111/.85
111.85
dewey-sort 3111 285
dewey-raw 111/.85
111.85
dewey-search 111/.85
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oclc_num 976138473
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