The Insistence of Art : Aesthetic Philosophy after Early Modernity / / edited by Paul A. Kottman.
Philosophers working on aesthetics have paid considerable attention to art and artists of the early modern period. Yet early modern artistic practices scarcely figure in recent work on the emergence of aesthetics as a branch of philosophy over the course the eighteenth century. This book addresses t...
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Place / Publishing House: | New York, NY : : Fordham University Press,, 2017. ©2017. |
Year of Publication: | 2016 2017 |
Edition: | First edition. |
Language: | English |
Physical Description: | 1 online resource (226 pages) |
Notes: | Includes index. |
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Kottman, Paul A. auth The Insistence of Art Aesthetic Philosophy after Early Modernity / edited by Paul A. Kottman. First edition. NY Fordham University Press 2016 New York, NY : Fordham University Press, 2017. ©2017. 1 online resource (226 pages) text rdacontent computer rdamedia online resource rdacarrier Includes index. Philosophers working on aesthetics have paid considerable attention to art and artists of the early modern period. Yet early modern artistic practices scarcely figure in recent work on the emergence of aesthetics as a branch of philosophy over the course the eighteenth century. This book addresses that gap, elaborating the extent to which artworks and practices of the fifteenth through the eighteenth centuries were accompanied by an immense range of discussions about the arts and their relation to one another. Rather than take art as a stand-in for or reflection of some other historical event or social phenomenon, this book treats art as a phenomenon in itself. The contributors suggest ways in which artworks and practices of the early modern period make aesthetic experience central to philosophical reflection, while also showing art’s need for philosophy. In English. Front matter -- Contents -- Introduction. The Claim of Art: Aesthetic Philosophy and Early Modern Artistry -- Chapter 1. Allegory, Poetic Theology, and Enlightenment Aesthetics -- Chapter 2. Object Lessons: Reification and Renaissance Epitaphic Poetry -- Chapter 3. How Do We Recognize Metaphysical Poetry? -- Chapter 4. Literature, Prejudice, Historicity: The Philosophical Importance of Herder’s Shakespeare Studies -- Chapter 5. Reaching Conclusions: Art and Philosophy in Hegel and Shakespeare -- Chapter 6. “All Art Constantly Aspires to the Condition of Music”—Except the Art of Music: Reviewing the Contest of the Sister Arts -- Chapter 7. The Beauty of Architecture at the End of the Seventeenth Century in Paris, Greece, and Rome -- Chapter 8. Strokes of Wit: Theorizing Beauty in Baroque Italy -- Chapter 9. Goya: Secularization and the Aesthetics of Belief -- Chapter 10. Remembering Isaac: On the Impossibility and Immorality of Faith -- Contributors -- Index Includes bibliographical references and index. Description based on print version record. CC BY-NC-ND Knowledge Unlatched Unrestricted online access star Art Philosophy. Aesthetics, Modern. Electronic books. Kottman, Paul A., 1970- editor. 9780823275731 0823275736 |
language |
English |
format |
eBook |
author |
Kottman, Paul A. |
spellingShingle |
Kottman, Paul A. The Insistence of Art Aesthetic Philosophy after Early Modernity / Front matter -- Contents -- Introduction. The Claim of Art: Aesthetic Philosophy and Early Modern Artistry -- Chapter 1. Allegory, Poetic Theology, and Enlightenment Aesthetics -- Chapter 2. Object Lessons: Reification and Renaissance Epitaphic Poetry -- Chapter 3. How Do We Recognize Metaphysical Poetry? -- Chapter 4. Literature, Prejudice, Historicity: The Philosophical Importance of Herder’s Shakespeare Studies -- Chapter 5. Reaching Conclusions: Art and Philosophy in Hegel and Shakespeare -- Chapter 6. “All Art Constantly Aspires to the Condition of Music”—Except the Art of Music: Reviewing the Contest of the Sister Arts -- Chapter 7. The Beauty of Architecture at the End of the Seventeenth Century in Paris, Greece, and Rome -- Chapter 8. Strokes of Wit: Theorizing Beauty in Baroque Italy -- Chapter 9. Goya: Secularization and the Aesthetics of Belief -- Chapter 10. Remembering Isaac: On the Impossibility and Immorality of Faith -- Contributors -- Index |
author_facet |
Kottman, Paul A. Kottman, Paul A., 1970- |
author_variant |
p a k pa pak |
author2 |
Kottman, Paul A., 1970- |
author2_variant |
p a k pa pak |
author2_role |
TeilnehmendeR |
author_sort |
Kottman, Paul A. |
title |
The Insistence of Art Aesthetic Philosophy after Early Modernity / |
title_sub |
Aesthetic Philosophy after Early Modernity / |
title_full |
The Insistence of Art Aesthetic Philosophy after Early Modernity / edited by Paul A. Kottman. |
title_fullStr |
The Insistence of Art Aesthetic Philosophy after Early Modernity / edited by Paul A. Kottman. |
title_full_unstemmed |
The Insistence of Art Aesthetic Philosophy after Early Modernity / edited by Paul A. Kottman. |
title_auth |
The Insistence of Art Aesthetic Philosophy after Early Modernity / |
title_alt |
Front matter -- Contents -- Introduction. The Claim of Art: Aesthetic Philosophy and Early Modern Artistry -- Chapter 1. Allegory, Poetic Theology, and Enlightenment Aesthetics -- Chapter 2. Object Lessons: Reification and Renaissance Epitaphic Poetry -- Chapter 3. How Do We Recognize Metaphysical Poetry? -- Chapter 4. Literature, Prejudice, Historicity: The Philosophical Importance of Herder’s Shakespeare Studies -- Chapter 5. Reaching Conclusions: Art and Philosophy in Hegel and Shakespeare -- Chapter 6. “All Art Constantly Aspires to the Condition of Music”—Except the Art of Music: Reviewing the Contest of the Sister Arts -- Chapter 7. The Beauty of Architecture at the End of the Seventeenth Century in Paris, Greece, and Rome -- Chapter 8. Strokes of Wit: Theorizing Beauty in Baroque Italy -- Chapter 9. Goya: Secularization and the Aesthetics of Belief -- Chapter 10. Remembering Isaac: On the Impossibility and Immorality of Faith -- Contributors -- Index |
title_new |
The Insistence of Art |
title_sort |
the insistence of art aesthetic philosophy after early modernity / |
publisher |
Fordham University Press Fordham University Press, |
publishDate |
2016 2017 |
physical |
1 online resource (226 pages) |
edition |
First edition. |
contents |
Front matter -- Contents -- Introduction. The Claim of Art: Aesthetic Philosophy and Early Modern Artistry -- Chapter 1. Allegory, Poetic Theology, and Enlightenment Aesthetics -- Chapter 2. Object Lessons: Reification and Renaissance Epitaphic Poetry -- Chapter 3. How Do We Recognize Metaphysical Poetry? -- Chapter 4. Literature, Prejudice, Historicity: The Philosophical Importance of Herder’s Shakespeare Studies -- Chapter 5. Reaching Conclusions: Art and Philosophy in Hegel and Shakespeare -- Chapter 6. “All Art Constantly Aspires to the Condition of Music”—Except the Art of Music: Reviewing the Contest of the Sister Arts -- Chapter 7. The Beauty of Architecture at the End of the Seventeenth Century in Paris, Greece, and Rome -- Chapter 8. Strokes of Wit: Theorizing Beauty in Baroque Italy -- Chapter 9. Goya: Secularization and the Aesthetics of Belief -- Chapter 10. Remembering Isaac: On the Impossibility and Immorality of Faith -- Contributors -- Index |
isbn |
9780823275823 0823275825 9780823275809 0823275809 9780823275816 0823275817 9780823275731 0823275736 |
callnumber-first |
B - Philosophy, Psychology, Religion |
callnumber-subject |
BJ - Ethics |
callnumber-label |
BJ301 |
callnumber-sort |
BJ 3301 I57 42017 |
genre |
Electronic books. |
genre_facet |
Electronic books. |
illustrated |
Not Illustrated |
dewey-hundreds |
100 - Philosophy & psychology |
dewey-tens |
110 - Metaphysics |
dewey-ones |
111 - Ontology |
dewey-full |
111/.85 111.85 |
dewey-sort |
3111 285 |
dewey-raw |
111/.85 111.85 |
dewey-search |
111/.85 111.85 |
oclc_num |
976138473 987454464 |
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is_hierarchy_title |
The Insistence of Art Aesthetic Philosophy after Early Modernity / |
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