“In the Tight Triangle of the Night” : : The Early Poetry of Yuriy Tarnawsky (1956–1971), between Modernism and Postmodernism / / Maria Grazia Bartolini.
This book examines the early poetry (1956–1971) of the Ukrainian/American writer Yuriy Tarnawsky, one of the founders of the New York Group of Ukrainian poets and a unique figure among Ukrainian writers with regard to his experiments with forms. Demonstrating the radical changes that occurred in his...
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Place / Publishing House: | Boston, MA : : Academic Studies Press, , [2024] 2024 |
Year of Publication: | 2024 |
Language: | English |
Series: | Ukrainian Studies
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Online Access: | |
Physical Description: | 1 online resource (200 p.) |
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245 | 1 | 0 | |a “In the Tight Triangle of the Night” : |b The Early Poetry of Yuriy Tarnawsky (1956–1971), between Modernism and Postmodernism / |c Maria Grazia Bartolini. |
264 | 1 | |a Boston, MA : |b Academic Studies Press, |c [2024] | |
264 | 4 | |c 2024 | |
300 | |a 1 online resource (200 p.) | ||
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490 | 0 | |a Ukrainian Studies | |
505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Acknowledgments -- |t Note on Transliteration and Translations -- |t Introduction -- |t CHAPTER 1 The New York Group and its Meta-Critical Discourse: Between Modernism and the New Avant-Garde -- |t CHAPTER 2 “Running Barefoot Home and Back”: The Life and Poetry of Yuriy Tarnawsky -- |t CHAPTER 3 In Sartre’s Shadow: Zhyttia v Misti and Existentialism -- |t CHAPTER 4 Rewriting Space: Idealizovana Biohrafiia (1964), Spomyny (1964), and Bez Espanії (1967) -- |t CHAPTER 5 The Path Toward Abstraction: Ankety (1967–68) -- |t CHAPTER 6 Ut Pictura Poesis: Object, Poetry, and Visual Arts after Ankety -- |t CHAPTER 7 The Poetics of Nothingness and the Death of the Subject -- |t Epilogue -- |t APPENDIX Unpublished Poems (1954–55) -- |t Bibliography -- |t Index |
506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
520 | |a This book examines the early poetry (1956–1971) of the Ukrainian/American writer Yuriy Tarnawsky, one of the founders of the New York Group of Ukrainian poets and a unique figure among Ukrainian writers with regard to his experiments with forms. Demonstrating the radical changes that occurred in his poetic style between the 1950s and 1970s, Maria Grazia Bartolini analyzes the relationship between these innovations and the similar shifts taking place in Western poetry and culture during the 1950s and 1960s, when new forms of expression and a new consciousness developed in the interstices between modernism and nascent postmodernism. The book provides the reader with a selection of unpublished materials from the Yuriy Tarnawsky Papers at the Bakhmeteff Archive of Columbia University. | ||
538 | |a Mode of access: Internet via World Wide Web. | ||
546 | |a In English. | ||
588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 20. Nov 2024) | |
650 | 7 | |a LITERARY CRITICISM / Poetry. |2 bisacsh | |
653 | |a New York Group. | ||
653 | |a Ukraine. | ||
653 | |a Yuriy Tarnawsky. | ||
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653 | |a literature. | ||
653 | |a modernism. | ||
653 | |a poetry. | ||
653 | |a postmodernism. | ||
653 | |a verse. | ||
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776 | 0 | |c print |z 9798887193885 | |
856 | 4 | 0 | |u https://doi.org/10.1515/9798887193892 |
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