Dance [and] Theory / / ed. by Gabriele Klein, Gabriele Brandstetter.

• Superior document: Title is part of eBook package: De Gruyter transcript Backlist eBook Package 2000-2013
• MitwirkendeR: Barrionuevo Anzaldi, Franco,; Bismarck, Beatrice von,; Brandstetter, Gabriele,; Cramer, Franz Anton,; Cvejić, Bojana,; Eikels, Kai van,; Evert, Kerstin,; Foellmer, Susanne,; Foster, Susan Leigh,; Gebauer, Gunter,; Goldring, Laurent,; Hardt, Yvonne,; Huschka, Sabine,; Hölscher, Stefan,; Klein, Gabriele,; Kruschkova, Krassimira,; Kunst, Bojana,; Lepecki, André,; Malzacher, Florian,; Manchev, Boyan,; Matzke, Annemarie,; Meduri, Avanthi,; Mezur, Katherine,; Nachbar, Martin,; Noack, Ruth,; Noeth, Sandra,; Osten, Marion von,; Peter, Frank-Manuel,; Peters, Sibylle,; Pérez Royo, Victoria,; Rebentisch, Juliane,; Ritsema, Jan,; Schad, Isabelle,; Schneider, Katja,; Siegmund, Gerald,; Stamer, Peter,; Thurner, Christina,; Wortelkamp, Isa,
• HerausgeberIn: Brandstetter, Gabriele,; Klein, Gabriele,
• Place / Publishing House: Bielefeld : : transcript Verlag, , [2014]; ©2012
• Year of Publication: 2014
• Edition: 1. Aufl.
• Language: English
• Series: TanzScripte ; 25
• Physical Description: 1 online resource (324 p.)
• Other title: Frontmatter --; Contents --; Dance [and] Theory. Introduction --; Dancing and Theorizing and Theorizing Dancing --; ARTISTIC RESEARCH --; Artistic Research: Between Experiment and Presentation --; A Few Remarks about Research in Dance and Performance or – The Production of Problems --; Knowledge and Collective Praxis --; It does not matter or The Artist Out (of the Picture) --; Artistic Research between Dance and Theory – A Response in Six Questions --; References --; PANEL AESTHETICS --; Aesthetic Experience --; The Question of the Aesthetic --; The Resistance to Dance Theory. Being-With, the Aesthetic Event --; Beautiful Affects in Choreography --; Intertwinings: The Dis/Positions of Dance Aesthetics --; Unexpected Horizons of Meaning --; Parallel Universes and Aesthetic Dis/Balance: Theory Interrupted, Dance Distracted --; LECTURE --; Dance Theory as a Practice of Critique --; PANEL POLITICS --; Dance and Politics --; Pitfalls of ‘the Political.’ Politization as an Alternative Tool for Dance Analysis? --; The Politics of Time --; Contemporary Dance and the Critical Ontology of Actuality --; Geo-Politics, Dissensus, and Dance Citizenship: The Case of South Asian Dance in Britain --; Resilient Bodies, Stirred. Political Anecdotes from the Field of Contemporary Choreography --; Remarks Concerning the Ontology of Dance --; Dis/Balances. Dance and Theory --; PANEL ARCHIVES --; Steps and Gaps: Curatorial Perspectives on Dance and Archives --; Body, Archive --; The Constructive Compromise --; Dance/Archive/Exhibition? Moving between Worlds --; The Archive in Motion --; “Mal d’Archive” – in a Different Sense than Jacques Derrida’s --; Leaving and Pursuing Traces ‘Archive’ and ‘Archiving’ in a Dance Context --; PANEL NEXT GENERATION --; Thoughts on the Now in the Future --; A Relational Perspective on Dance and Theory – Implications for the Teaching of Dance Studies --; dé-position. Or How to Move in(to) the Future? --; Embryology as Choreography --; Hypothesis Number Nine: The Image Is an Organ --; What’s ‘next’? --; In the Making. On the Generation of Movement between Dance and Theory --; An Institution Is only as Good as the People who Work there Can be. No? --; Notes on Contributors
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9783839421512; 9783111025230; 9783110661552; 9783110352856; 9783110370744
• DOI: 10.1515/transcript.9783839421512?locatt=mode:legacy
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: ed. by Gabriele Klein, Gabriele Brandstetter.

Both the identity of dance and that of theory are at risk as soon as the two intertwine. This anthology collects observations by choreographers and scholars, dancers, dramaturges and dance theorists in an effort to trace the multiple ways in which dance and theory correlate and redefine each other: What is the nature of their relationship? How can we outline a theory of dance from our particular historical perspective which will cover dance both as a practice and as an academic concept?The contributions examine which concepts, interdependencies and discontinuities of dance and theory are relevant today and promise to engage us in the future. They address crucial topics of the current debate in dance and performance studies such as artistic research, aesthetics, politics, visuality, archives, and the »next generation«.