Narrative, Interrupted : : The Plotless, the Disturbing and the Trivial in Literature / / ed. by Markku Lehtimäki, Laura Karttunen, Maria Mäkelä.

• Superior document: Title is part of eBook package: De Gruyter DGBA Backlist Complete English Language 2000-2014 PART1
• MitwirkendeR: Alber, Jan,; Barabtarlo, Gennady,; Bruun, Sanna Katariina,; Grishakova, Marina,; Hatavara, Mari,; Herman, David,; Hyvärinen, Matti,; Hägg, Samuli,; Karttunen, Laura,; Lehtimäki, Markku,; Lothe, Jakob,; McHale, Brian,; Mäkelä, Maria,; Pettersson, Bo,; Phelan, James,; Toker, Leona,; Tommola, Hannu,
• HerausgeberIn: Karttunen, Laura,; Lehtimäki, Markku,; Mäkelä, Maria,
• Place / Publishing House: Berlin ;, Boston : : De Gruyter, , [2012]; ©2012
• Year of Publication: 2012
• Language: English
• Physical Description: 1 online resource (328 p.)
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9783110259971; 9783110238570; 9783110238464; 9783110637854; 9783110288995; 9783110288902; 9783110288896
• DOI: 10.1515/9783110259971
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: ed. by Markku Lehtimäki, Laura Karttunen, Maria Mäkelä.

Recent postclassical narratology has constructed top-down reading models that often remain blind to the frame-breaking potential of individual literary narratives. Narrative, Interrupted goes beyond the macro framing typical of postclassical narratology and sets out to sketch approaches more sensitive to generic specificities, disturbing details and authorial interference. Unlike the mainstream cognitive approaches or even the emergent unnatural narratology, the articles collected here explore the artifice involved in presenting something ordinary and realistic in literature. The first section of the book deals with anti-dynamic elements such as dialogue, details, private events and literary boredom. The second section, devoted to extensions of cognitive narratology, addresses spatiotemporal oddities and the possibility of non-human narratives. The third section focuses on frame-breaking, fragmentarity and problems of authorship in the works of Vladimir Nabokov. The book presents readings of texts ranging from the novels of Don DeLillo and Thomas Pynchon to the Animal Man comics. The common denominator for the texts discussed is the interruption of the chain of events or of the experiential flow of human-like narrative agents.