The Arts of Cinema / / Martin Seel.
In The Arts of Cinema, Martin Seel explores film’s connections to the other arts and the qualities that distinguish it from them. In nine concise and elegantly written chapters, he explores the cinema’s singular aesthetic potential and uses specific examples from a diverse range of films—from Antoni...
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| Place / Publishing House: | Ithaca, NY : : Cornell University Press, , [2018] 2018 |
| Year of Publication: | 2018 |
| Language: | English |
| Online Access: | |
| Physical Description: | 1 online resource (180 p.) |
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| LEADER | 03220nam a22006615i 4500 | ||
|---|---|---|---|
| 001 | 9781501724862 | ||
| 003 | DE-B1597 | ||
| 005 | 20240826113231.0 | ||
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| 008 | 240826t20182018nyu fo d z eng d | ||
| 010 | |a 2018002560 | ||
| 020 | |a 9781501724862 | ||
| 024 | 7 | |a 10.7591/9781501724862 |2 doi | |
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| 100 | 1 | |a Seel, Martin, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
| 245 | 1 | 4 | |a The Arts of Cinema / |c Martin Seel. |
| 264 | 1 | |a Ithaca, NY : |b Cornell University Press, |c [2018] | |
| 264 | 4 | |c 2018 | |
| 300 | |a 1 online resource (180 p.) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a text file |b PDF |2 rda | ||
| 505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Opening Credits -- |t 1. Film as Architecture -- |t 2. Film as Music -- |t 3. Film as Image -- |t 4. Film as Spectacle -- |t 5. Film as Narrative -- |t 6. Film as Exploration -- |t 7. Film as Imagination -- |t 8. Film as Emotion -- |t 9. Film as Philosophy -- |t Closing Credits -- |t Translator’s Note -- |t Notes -- |t Name Index -- |t Film Index |
| 506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
| 520 | |a In The Arts of Cinema, Martin Seel explores film’s connections to the other arts and the qualities that distinguish it from them. In nine concise and elegantly written chapters, he explores the cinema’s singular aesthetic potential and uses specific examples from a diverse range of films—from Antonioni and Hitchcock to The Searchers and The Bourne Supremacy—to demonstrate the many ways this potential can be realized. Seel’s analysis provides both a new perspective on film as a comprehensive aesthetic experience and a nuanced understanding of what the medium does to us once we are in the cinema. | ||
| 538 | |a Mode of access: Internet via World Wide Web. | ||
| 546 | |a In English. | ||
| 588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Aug 2024) | |
| 650 | 0 | |a Motion pictures and the arts. | |
| 650 | 0 | |a Motion pictures |x Aesthetics. | |
| 650 | 0 | |a Motion pictures |x Philosophy. | |
| 650 | 4 | |a Art History. | |
| 650 | 4 | |a Film. | |
| 650 | 4 | |a Literary Studies. | |
| 650 | 7 | |a PERFORMING ARTS / Film & Video / History & Criticism. |2 bisacsh | |
| 700 | 1 | |a Walker, Kizer S., |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
| 856 | 4 | 0 | |u https://doi.org/10.7591/9781501724862 |
| 856 | 4 | 0 | |u https://www.degruyter.com/isbn/9781501724862 |
| 856 | 4 | 2 | |3 Cover |u https://www.degruyter.com/document/cover/isbn/9781501724862/original |
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