Fire in the Placa : : Catalan Festival Politics After Franco / / Dorothy Noyes.

• Superior document: Title is part of eBook package: De Gruyter Penn Press eBook Package Complete Collection
• VerfasserIn: Noyes, Dorothy,
• Place / Publishing House: Philadelphia : : University of Pennsylvania Press, , [2012]; ©2003
• Year of Publication: 2012
• Language: English
• Physical Description: 1 online resource (336 p.) :; 14 illus.
• Other title: Frontmatter --; Contents --; A Note on Catalonia and the Catalan Language --; Introduction --; PART I REPRESENTING THE FESTIVAL --; 1. Between Representation and Presence: The Onlooker Problem --; 2. The Patum and the Body Politic --; Part II Personification And Incorporation --; 3. The Gaze And The Touch: Personhood And Belonging In Everyday Life --; 4. The Patum Effigies: Attitudes Personified --; 5. The Techniques Of Incorporation --; Part III Under Franco: The Oedipal Patum --; 6. Return To The Womb --; 7. The Eye Of The Father --; 8. The New Generation --; Part IV The Mass And The Outside: "The Patum Will Be Ours No Longer" --; 9. Consumption And The Limits Of Metaphor --; 10. Reproduction And Reduction --; 11. The Patum In Spain And The World --; Notes --; References --; Index --; Acknowledgments
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9780812202991; 9783110413458; 9783110413618; 9783110459548
• DOI: 10.9783/9780812202991
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Dorothy Noyes.

Selected by Choice magazine as an Outstanding Academic TitleFire in the Plaça is the first full-length study in English of the Patum, a Corpus Christi fire festival unique to Berga, Catalonia, Spain, celebrated annually since the seventeenth century. Participants in the festival are transformed through drink, sleep deprivation, crowding, constant motion, and the smoke and sparks of close-range firecrackers into passionate members of a precarious body politic. Combining richly layered symbolism with intense bodily expression, the Patum has long served as a grassroots equivalent of grand social theory; it moves from a representation of social divisions to a forcible communion among them.The Patum's dancing effigies-giants, dwarves, Turks and Christian knights, devils and angels, a crowned eagle, and two flaming mule-dragons-have provided local allegories for a long series of political conflicts, but the festival obscures its own messages in smoke and motion to enable a temporary merging of opposites. Activists in the 1970s transition to democracy in Spain took the Patum as a model of how old adversaries might collaborate: it helped to shape the mix of assertiveness in performance and compromise in practice that is typical of contemporary Catalan nationalism. The Patum became a focus of resistance to the Franco regime and drew visitors from all over Catalonia, serving as a rehearsal for the mass protests in Barcelona. Later, it provided the newly autonomous region with a vehicle for integrating immigrants and a vocabulary of belonging, culminating in the Patum-derived devils of the closing ceremonies of the 1992 Olympic games.Today, as mines and factories have closed in Berga, the Patum serves as an arena in which provincial Catalans model their relationship to Barcelona, Europe, and the world, and reflects their ambivalence about the choices open to them. Seeking a third way between tourism and terrorism, provincial towns like Berga show us the future of all local communities under globalization.In collective performances such as the Patum, tensions between cultural and political representation are made visible, and the gap between aspiration and possibility is both bridged and acknowledged. In this exceptionally rich ethnographic study, Dorothy Noyes explores the predicament of provincial communities striving to overcome internal conflict and participate in a wider world.