Breaking the Fourth Wall : : Direct Address in the Cinema / / Tom Brown.
GBS_insertPreviewButtonPopup(['ISBN:9780748644261','ISBN:9780748644254']);What happens when fictional characters acknowledge our 'presence' as film spectators? By virtue of its eccentricity and surprising frequency as a filmic device, direct address enables us to ask so...
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Superior document: | Title is part of eBook package: De Gruyter Edinburgh University Press Backlist eBook-Package 2013-2000 |
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Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2012 |
Year of Publication: | 2022 |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource (208 p.) :; 20 B/W illustrations |
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Other title: | Frontmatter -- Contents -- Acknowledgements -- List of figures -- Preface -- Chapter 1 Introduction: direct address in film history, theory and criticism -- Chapter 2 Counter-looks: direct address and counter-cinema -- Chapter 3 Looks of invitation: comedic and musical direct address -- Chapter 4 Le Notti di Cabiria (1957) -- Chapter 5 High Fidelity (2000) -- Chapter 6 La Ronde (1950) -- Chapter 7 Conclusion -- Bibliography -- Index |
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Summary: | GBS_insertPreviewButtonPopup(['ISBN:9780748644261','ISBN:9780748644254']);What happens when fictional characters acknowledge our 'presence' as film spectators? By virtue of its eccentricity and surprising frequency as a filmic device, direct address enables us to ask some fundamental questions of film theory, history and criticism and tackle, head-on, assumptions about the cinema as a medium. Brown provides a broad understanding of the role of direct address within fiction cinema, with focused analysis of its role in certain strands of avant-garde or experimental cinema, on the one hand, and popular genre traditions (musicals and comedies) on the other." |
Format: | Mode of access: Internet via World Wide Web. |
ISBN: | 9780748644261 9783110780468 |
DOI: | 10.1515/9780748644261 |
Access: | restricted access |
Hierarchical level: | Monograph |
Statement of Responsibility: | Tom Brown. |