Breaking the Fourth Wall : : Direct Address in the Cinema / / Tom Brown.

GBS_insertPreviewButtonPopup(['ISBN:9780748644261','ISBN:9780748644254']);What happens when fictional characters acknowledge our 'presence' as film spectators? By virtue of its eccentricity and surprising frequency as a filmic device, direct address enables us to ask so...

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter Edinburgh University Press Backlist eBook-Package 2013-2000
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Place / Publishing House:Edinburgh : : Edinburgh University Press, , [2022]
©2012
Year of Publication:2022
Language:English
Online Access:
Physical Description:1 online resource (208 p.) :; 20 B/W illustrations
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Other title:Frontmatter --
Contents --
Acknowledgements --
List of figures --
Preface --
Chapter 1 Introduction: direct address in film history, theory and criticism --
Chapter 2 Counter-looks: direct address and counter-cinema --
Chapter 3 Looks of invitation: comedic and musical direct address --
Chapter 4 Le Notti di Cabiria (1957) --
Chapter 5 High Fidelity (2000) --
Chapter 6 La Ronde (1950) --
Chapter 7 Conclusion --
Bibliography --
Index
Summary:GBS_insertPreviewButtonPopup(['ISBN:9780748644261','ISBN:9780748644254']);What happens when fictional characters acknowledge our 'presence' as film spectators? By virtue of its eccentricity and surprising frequency as a filmic device, direct address enables us to ask some fundamental questions of film theory, history and criticism and tackle, head-on, assumptions about the cinema as a medium. Brown provides a broad understanding of the role of direct address within fiction cinema, with focused analysis of its role in certain strands of avant-garde or experimental cinema, on the one hand, and popular genre traditions (musicals and comedies) on the other."
Format:Mode of access: Internet via World Wide Web.
ISBN:9780748644261
9783110780468
DOI:10.1515/9780748644261
Access:restricted access
Hierarchical level:Monograph
Statement of Responsibility: Tom Brown.