Philology in the Making : : Analog/Digital Cultures of Scholarly Writing and Reading / ed. by Nicolas Pethes, Pál Kelemen.

• MitwirkendeR: Berressem, Hanjo,; Bickenbach, Matthias,; Coch, Charlotte,; Jaekel, Charlotte,; Kerekes, Amália,; Kleinwächter, Livia,; Kozák, Dániel,; Krause, Marcus,; Mezei, Gábor,; Nantke, Julia,; Palkó, Gábor,; Pethes, Nicolas,; Rung, Ádám,; Sonnenberg-Schrank, Björn,; Tóth-Czifra, Júlia,; Vaderna, Gábor,; Vásári, Melinda,
• HerausgeberIn: Kelemen, Pál,; Pethes, Nicolas,
• Place / Publishing House: Bielefeld : transcript Verlag, [2019]; 2019
• Year of Publication: 2019
• Language: English
• Series: Digital Humanities ; 1
• Physical Description: 1 Online-Resource
• Other title: Frontmatter --; Table of contents --; Introduction --; 1. Theories --; How We Read --; "The Return to Philology" --; Pathological Philology --; 2. Materialities --; The Hourglass --; Paper Mythology --; The Literary Manuscript --; From Abstraction to Inscription and Back Again --; On-the-Table --; 3. Practices --; Opening, Turning, Closing --; Combination of Order and Disorder --; Fractures of Writing --; New Practices = New Conditions? --; 4. Technologies --; Sites of Digital Humanities --; The Intertextual Frontiers of Vergil's "Empire without Limit" --; Calendar View --; Micro and Macro, Close and Distant --; Securing the Literary Evidence --; On the authors
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9783839447703
• DOI: 10.1515/9783839447703?locatt=mode:legacy
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: ed. by Nicolas Pethes, Pál Kelemen.

Philological practices have served to secure and transmit textual sources for centuries. However - this volume contends -, it is only in the light of the current radical media change labeled ›digital turn‹ that the material and technological prerequisites of the theory and practice of philology become fully visible. The seventeen studies by scholars from the universities of Budapest and Cologne assembled here investigate these recent transformations of our techniques of writing and reading by critically examining core approaches to the history and epistemology of the humanities. Thus, a broad praxeological overview of basic cultural techniques of collective memory is unfolded.