After Uniqueness : : A History of Film and Video Art in Circulation / Erika Balsom.
Images have never been as freely circulated as they are today. They have also never been so tightly controlled. As with the birth of photography, digital reproduction has created new possibilities for the duplication and consumption of images, offering greater dissemination and access. But digital r...
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| Place / Publishing House: | New York, NY : Columbia University Press, [2017] ©2017 |
| Year of Publication: | 2017 |
| Language: | English |
| Series: | Film and Culture Series
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| Physical Description: | 1 Online-Resource |
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Balsom, Erika, author. aut http://id.loc.gov/vocabulary/relators/aut After Uniqueness : A History of Film and Video Art in Circulation Erika Balsom. New York, NY Columbia University Press [2017] ©2017 1 Online-Resource text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Film and Culture Series Frontmatter -- Contents -- Acknowledgments -- Introduction: Copy Rites -- 1. The Promise and Threat of Reproducibility -- 2. 8 mm and the "Blessings of Books and Records" -- 3. Bootlegging Experimental Film -- 4. Copyright and the Commons -- 5. The Limited Edition -- 6. The Event of Projection -- 7. A Cinematic Bayreuth -- 8. Transmission, from the Movie-Drome to Vdrome -- Notes -- Bibliography -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Images have never been as freely circulated as they are today. They have also never been so tightly controlled. As with the birth of photography, digital reproduction has created new possibilities for the duplication and consumption of images, offering greater dissemination and access. But digital reproduction has also stoked new anxieties concerning authenticity and ownership. From this contemporary vantage point, After Uniqueness traces the ambivalence of reproducibility through the intersecting histories of experimental cinema and the moving image in art, examining how artists, filmmakers, and theorists have found in the copy a utopian promise or a dangerous inauthenticity-or both at once.From the sale of film in limited editions on the art market to the downloading of bootlegs, from the singularity of live cinema to video art broadcast on television, Erika Balsom investigates how the reproducibility of the moving image has been embraced, rejected, and negotiated by major figures including Stan Brakhage, Leo Castelli, and Gregory Markopoulos. Through a comparative analysis of selected distribution models and key case studies, she demonstrates how the question of image circulation is central to the history of film and video art. After Uniqueness shows that distribution channels are more than neutral pathways; they determine how we encounter, interpret, and write the history of the moving image as an art form. Issued also in print. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) Art and motion pictures. Motion picture audiences History. Motion picture industry Technological innovations. Motion pictures and the arts. Video art History. PERFORMING ARTS / Film & Video / History & Criticism. bisacsh print 9780231176927 https://doi.org/10.7312/bals17692 https://www.degruyter.com/isbn/9780231543125 Cover https://www.degruyter.com/document/cover/isbn/9780231543125/original |
| language |
English |
| format |
eBook |
| author |
Balsom, Erika, Balsom, Erika, |
| spellingShingle |
Balsom, Erika, Balsom, Erika, After Uniqueness : A History of Film and Video Art in Circulation Film and Culture Series Frontmatter -- Contents -- Acknowledgments -- Introduction: Copy Rites -- 1. The Promise and Threat of Reproducibility -- 2. 8 mm and the "Blessings of Books and Records" -- 3. Bootlegging Experimental Film -- 4. Copyright and the Commons -- 5. The Limited Edition -- 6. The Event of Projection -- 7. A Cinematic Bayreuth -- 8. Transmission, from the Movie-Drome to Vdrome -- Notes -- Bibliography -- Index |
| author_facet |
Balsom, Erika, Balsom, Erika, |
| author_variant |
e b eb e b eb |
| author_role |
VerfasserIn VerfasserIn |
| author_sort |
Balsom, Erika, |
| title |
After Uniqueness : A History of Film and Video Art in Circulation |
| title_sub |
A History of Film and Video Art in Circulation |
| title_full |
After Uniqueness : A History of Film and Video Art in Circulation Erika Balsom. |
| title_fullStr |
After Uniqueness : A History of Film and Video Art in Circulation Erika Balsom. |
| title_full_unstemmed |
After Uniqueness : A History of Film and Video Art in Circulation Erika Balsom. |
| title_auth |
After Uniqueness : A History of Film and Video Art in Circulation |
| title_alt |
Frontmatter -- Contents -- Acknowledgments -- Introduction: Copy Rites -- 1. The Promise and Threat of Reproducibility -- 2. 8 mm and the "Blessings of Books and Records" -- 3. Bootlegging Experimental Film -- 4. Copyright and the Commons -- 5. The Limited Edition -- 6. The Event of Projection -- 7. A Cinematic Bayreuth -- 8. Transmission, from the Movie-Drome to Vdrome -- Notes -- Bibliography -- Index |
| title_new |
After Uniqueness : |
| title_sort |
after uniqueness : a history of film and video art in circulation |
| series |
Film and Culture Series |
| series2 |
Film and Culture Series |
| publisher |
Columbia University Press |
| publishDate |
2017 |
| physical |
1 Online-Resource Issued also in print. |
| contents |
Frontmatter -- Contents -- Acknowledgments -- Introduction: Copy Rites -- 1. The Promise and Threat of Reproducibility -- 2. 8 mm and the "Blessings of Books and Records" -- 3. Bootlegging Experimental Film -- 4. Copyright and the Commons -- 5. The Limited Edition -- 6. The Event of Projection -- 7. A Cinematic Bayreuth -- 8. Transmission, from the Movie-Drome to Vdrome -- Notes -- Bibliography -- Index |
| isbn |
9780231543125 9780231176927 |
| callnumber-first |
P - Language and Literature |
| callnumber-subject |
PN - General Literature |
| callnumber-label |
PN1995 |
| callnumber-sort |
PN 41995.9 A8 B35 42017 |
| url |
https://doi.org/10.7312/bals17692 https://www.degruyter.com/isbn/9780231543125 https://www.degruyter.com/document/cover/isbn/9780231543125/original |
| illustrated |
Not Illustrated |
| dewey-hundreds |
300 - Social sciences |
| dewey-tens |
300 - Social sciences, sociology & anthropology |
| dewey-ones |
302 - Social interaction |
| dewey-full |
302.2343 |
| dewey-sort |
3302.2343 |
| dewey-raw |
302.2343 |
| dewey-search |
302.2343 |
| doi_str_mv |
10.7312/bals17692 |
| work_keys_str_mv |
AT balsomerika afteruniquenessahistoryoffilmandvideoartincirculation |
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n |
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(Basis-E-Book)10-03-01-00001307 |
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cr |
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After Uniqueness : A History of Film and Video Art in Circulation |
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1836000818023628800 |
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