After Uniqueness : : A History of Film and Video Art in Circulation / Erika Balsom.

Images have never been as freely circulated as they are today. They have also never been so tightly controlled. As with the birth of photography, digital reproduction has created new possibilities for the duplication and consumption of images, offering greater dissemination and access. But digital r...

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Place / Publishing House:New York, NY : Columbia University Press, [2017]
©2017
Year of Publication:2017
Language:English
Series:Film and Culture Series
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Physical Description:1 Online-Resource
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lccn 2016040252
ctrlnum 10-03-01-00001307
(Basis-E-Book)10-03-01-00001307
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spelling Balsom, Erika, author. aut http://id.loc.gov/vocabulary/relators/aut
After Uniqueness : A History of Film and Video Art in Circulation Erika Balsom.
New York, NY Columbia University Press [2017]
©2017
1 Online-Resource
text txt rdacontent
computer c rdamedia
online resource cr rdacarrier
text file PDF rda
Film and Culture Series
Frontmatter -- Contents -- Acknowledgments -- Introduction: Copy Rites -- 1. The Promise and Threat of Reproducibility -- 2. 8 mm and the "Blessings of Books and Records" -- 3. Bootlegging Experimental Film -- 4. Copyright and the Commons -- 5. The Limited Edition -- 6. The Event of Projection -- 7. A Cinematic Bayreuth -- 8. Transmission, from the Movie-Drome to Vdrome -- Notes -- Bibliography -- Index
restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star
Images have never been as freely circulated as they are today. They have also never been so tightly controlled. As with the birth of photography, digital reproduction has created new possibilities for the duplication and consumption of images, offering greater dissemination and access. But digital reproduction has also stoked new anxieties concerning authenticity and ownership. From this contemporary vantage point, After Uniqueness traces the ambivalence of reproducibility through the intersecting histories of experimental cinema and the moving image in art, examining how artists, filmmakers, and theorists have found in the copy a utopian promise or a dangerous inauthenticity-or both at once.From the sale of film in limited editions on the art market to the downloading of bootlegs, from the singularity of live cinema to video art broadcast on television, Erika Balsom investigates how the reproducibility of the moving image has been embraced, rejected, and negotiated by major figures including Stan Brakhage, Leo Castelli, and Gregory Markopoulos. Through a comparative analysis of selected distribution models and key case studies, she demonstrates how the question of image circulation is central to the history of film and video art. After Uniqueness shows that distribution channels are more than neutral pathways; they determine how we encounter, interpret, and write the history of the moving image as an art form.
Issued also in print.
Mode of access: Internet via World Wide Web.
In English.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)
Art and motion pictures.
Motion picture audiences History.
Motion picture industry Technological innovations.
Motion pictures and the arts.
Video art History.
PERFORMING ARTS / Film & Video / History & Criticism. bisacsh
print 9780231176927
https://doi.org/10.7312/bals17692
https://www.degruyter.com/isbn/9780231543125
Cover https://www.degruyter.com/document/cover/isbn/9780231543125/original
language English
format eBook
author Balsom, Erika,
Balsom, Erika,
spellingShingle Balsom, Erika,
Balsom, Erika,
After Uniqueness : A History of Film and Video Art in Circulation
Film and Culture Series
Frontmatter --
Contents --
Acknowledgments --
Introduction: Copy Rites --
1. The Promise and Threat of Reproducibility --
2. 8 mm and the "Blessings of Books and Records" --
3. Bootlegging Experimental Film --
4. Copyright and the Commons --
5. The Limited Edition --
6. The Event of Projection --
7. A Cinematic Bayreuth --
8. Transmission, from the Movie-Drome to Vdrome --
Notes --
Bibliography --
Index
author_facet Balsom, Erika,
Balsom, Erika,
author_variant e b eb
e b eb
author_role VerfasserIn
VerfasserIn
author_sort Balsom, Erika,
title After Uniqueness : A History of Film and Video Art in Circulation
title_sub A History of Film and Video Art in Circulation
title_full After Uniqueness : A History of Film and Video Art in Circulation Erika Balsom.
title_fullStr After Uniqueness : A History of Film and Video Art in Circulation Erika Balsom.
title_full_unstemmed After Uniqueness : A History of Film and Video Art in Circulation Erika Balsom.
title_auth After Uniqueness : A History of Film and Video Art in Circulation
title_alt Frontmatter --
Contents --
Acknowledgments --
Introduction: Copy Rites --
1. The Promise and Threat of Reproducibility --
2. 8 mm and the "Blessings of Books and Records" --
3. Bootlegging Experimental Film --
4. Copyright and the Commons --
5. The Limited Edition --
6. The Event of Projection --
7. A Cinematic Bayreuth --
8. Transmission, from the Movie-Drome to Vdrome --
Notes --
Bibliography --
Index
title_new After Uniqueness :
title_sort after uniqueness : a history of film and video art in circulation
series Film and Culture Series
series2 Film and Culture Series
publisher Columbia University Press
publishDate 2017
physical 1 Online-Resource
Issued also in print.
contents Frontmatter --
Contents --
Acknowledgments --
Introduction: Copy Rites --
1. The Promise and Threat of Reproducibility --
2. 8 mm and the "Blessings of Books and Records" --
3. Bootlegging Experimental Film --
4. Copyright and the Commons --
5. The Limited Edition --
6. The Event of Projection --
7. A Cinematic Bayreuth --
8. Transmission, from the Movie-Drome to Vdrome --
Notes --
Bibliography --
Index
isbn 9780231543125
9780231176927
callnumber-first P - Language and Literature
callnumber-subject PN - General Literature
callnumber-label PN1995
callnumber-sort PN 41995.9 A8 B35 42017
url https://doi.org/10.7312/bals17692
https://www.degruyter.com/isbn/9780231543125
https://www.degruyter.com/document/cover/isbn/9780231543125/original
illustrated Not Illustrated
dewey-hundreds 300 - Social sciences
dewey-tens 300 - Social sciences, sociology & anthropology
dewey-ones 302 - Social interaction
dewey-full 302.2343
dewey-sort 3302.2343
dewey-raw 302.2343
dewey-search 302.2343
doi_str_mv 10.7312/bals17692
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carrierType_str_mv cr
is_hierarchy_title After Uniqueness : A History of Film and Video Art in Circulation
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