Mag. art.

Ramona Hocker

Telephone
(+43 1) 51581 – 3706

E-Mail
ramona.hocker(at)oeaw.ac.at

...studied Musicology, Historical and Cultural Anthropology and economics in Tübingen (Germany). After working as an assistant and project member at the universities of Vienna and Basel, she joined the ÖAW/Department of Musicology in October 2014. Since then, she has been working on the edition of the works by the baroque composer Johann Joseph Fux (Johann Joseph Fux - Werke) and is responsible for the internet portal www.fux-online.at. Her current research interests include music philology, the music of the 18th century, sacred music, musical analysis (especially musical text setting and techniques of musical closure) as well as musical reworking techniques.

Full CV


Publications (Before ACDH)

Hocker, Ramona; Schwob, Rainer J. 2011. „‚Wie klingt die Passion?‘ Frank Martins musikalische Metamorphosen von Passionsdarstellungen“. In Wie Bilder klingen. Tagungsband zum Symposium Musik nach Bildern (Innsbruck, 16.–18. April 2010) (Neue Innsbrucker Beiträge zur Musikwissenschaft 1), edited by L. Christensen and M. Fink, 127-146. Berlin / Münster / Wien: Lit. [2nd ed. 2013]


Hocker, Ramona. 2008. „Satztechnische Unzulänglichkeiten oder Kunstfertigkeit? Beobachtungen zur Kompositionstechnik in den Ecksätzen von Johann Sebastian Bachs Clavierkonzert d-Moll BWV 1052“. Musicologica Austriaca (27): 61–100.


Firme, Annemarie; Hocker, Ramona, eds. 2006. Von Schlachthymnen und Protestsongs. Zur Kulturgeschichte des Verhältnisses von Musik und Krieg, Bielefeld: transcript.