Vasiliki Papadopoulou

MA PHD

Telephone
(+43 1) 51581 – 3718

E-Mail
vasiliki.papadopoulou(at)oeaw.ac.at

 

… studied violin, baroque violin, musicology, and art history in Cologne/Wuppertal, Zurich, and Vienna. In 2015, she attained her PhD in historical musicology from the University of Music and Performing Arts Vienna for which she received the “Award of Excellence 2015” of the Federal Ministry of Education, Science, and Economy. She has taught at the University of Vienna, at the University of Music and Performing Arts Vienna, and is currently a lecturer at Zurich University of the Arts. From 2016 to 2020, she was a member of the Junge Akademie Mainz. Since 2018, she is co-editor of Musicologica Austriaca – Journal for Austrian Music Studies.

At the ACDH-CH, Vasiliki Papadopoulou is part of the research unit Musicology, which she joined in December 2014 in the project Johannes Brahms Gesamtausgabe. She also worked for the projects Schubert-online and Johann Joseph Fux Edition. Currently, she is part of the project Neue Schubert-Ausgabe and leads a research project on Brahms reception in Vienna funded by the Cultural Affairs Department of the City of Vienna. Her research interests and publications focus on music philology, instructive editions, and reception studies.

Full CV


Publications

  • Papadopoulou, Vasiliki. 2023. Das Schicksal von Schuberts Gesang der Geister über den Wassern. magazin Klassik.
  • Strumbl, Melanie, Vasiliki Papadopoulou, and Alexander Wilfing, eds. 2023. "Visualizing Music Histories? The 1892 International Exhibition of Music and Drama and Beyond", special issue von "Musicologica Austriaca: Journal for Austrian Music Studies".
  • Celestini, Federico, Vasiliki Papadopoulou, and Alexander Wilfing, eds. 2023. "Austrian Music Studies: Topics, Perspectives, Concepts", special issue von "Musicologica Austriaca: Journal for Austrian Music Studies".
  • Papadopoulou, Vasiliki. 2022. J. S. Bach through the Prism of Italian Violinists in the Nineteenth and Early Twentieth Centuries. In Bach e l’Italia: Sguardi, scambi, convergenze, eds. C. Bertoglio and Borghesi, M., 161−177. Studi E Saggi 49. Libreria Musicale Italiana.
  • Papadopoulou, Vasiliki. 2021. "Franz Liszt gewidmet": Joseph Joachim's G-minor Violin Concerto, Op. 3. In The Creative Worlds of Joseph Joachim, eds. Valerie Woodring Goertzen and Robert Whitehouse Eshbach, 242-259. Woodbridge: Boydell Press.
  • Papadopoulou, Vasiliki. 2021. Johannes Brahms: Klavierauszug von Franz Schuberts Messe Es-dur D 950, Anh. Ia Nr. 18 (= Johannes Brahms: Neue Ausgabe sämtlicher Werke, hrsg. vom Musikwissenschaftlichen Institut der Universität Kiel in Verbindung mit der Johannes Brahms Gesamtausgabe e. V. und der Gesellschaft der Musikfreunde in Wien, Serie IX, Bd. 5). München: G. Henle.
  • Bertoglio, Chiara, Maria Borghesi, and Vasiliki Papadopoulou. 2021. Adapting the Past: Instructive Editions and Transcriptions of J. S. Bach’s Solos for Strings, in Italy and Abroad. Il Paganini. Quaderno des Conservatorio "N. Paganini" di Genova Numero speciale: 39-73.
  • Papadopoulou, Vasiliki. 2020. Karol Lipiński as Editor and Interpreter of J. S. Bach’s Music. In Bach and Chopin: Baroque Traditions in the Music of the Romantics, ed. S. Paczkowski, 301–340. Warschau: The Fryderyk Chopin Institute.
  • Papadopoulou, Vasiliki. 2020. Ein ‚wonder-working‘ Violinist: Karol Lipiński in Großbritannien. In Karol Lipiński. Życie, Działalność, Epoka 7 [Karol Lipinski: Leben, Schaffen und Zeit 7], ed. J. Subel, 65–83. Wrocław: Akademia Muzyczna im. Karola Lipińskiego.
  • Papadopoulou, Vasiliki. 2020. „[…] über die outrirte, willkürliche Bezeichnung“: Joseph Joachim und die instruktiven Ausgaben des 19. Jahrhunderts – Ein Beitrag zur Interpretationsforschung,. Die Musikforschung 73: 17–30.
  • Papadopoulou, Vasiliki. 2020. Instruktive Ausgaben zwischen Analyse und Interpretation am Beispiel von Johann Sebastian Bachs mehrstimmigen Werken für Soloinstrumente. In Aufführung und Edition, eds. T. Betzwieser and Schneider, M., tran. Winfried Woesler, 153–168. Beihefte Zu Editio. Berlin/Boston: De Gruyter. doi:10.1515/9783110639261-013.
  • Papadopoulou, Vasiliki. 2015. „Und sein Schweiß war wie Blut“. Verhältnis zwischen Musik und Bibeltext in Bibers sechster Rosenkranzsonate 132: 26-33.
  • Papadopoulou, Vasiliki. 2015. Zur Editions- und Aufführungsgeschichte von J. S. Bachs Sonaten und Partiten für Violine solo in der Zeit von 1802 bis 1940. Wien: Universität für Musik und darstellende Kunst Wien.